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Contrapunctus
見到你甘理所當然, 仲話睇唔過呢度有幾個人亂up 24, 甘希望你真係可以理性交流, 唔係只係認為自己講既係岩晒既。
我所知既都係從學習上得黎既, 我唔係好認同你話拋書包呢d講法, 至少要拋既都要睇過讀過先有得拋。而且我一路唔criticize 你既野, 唔係因為覺得你岩, 只係唔需要甘樣做而令氣氛甘僵
下面係搵到一d 有關baroque performance practice 既info
Wikipedia Free Encyclopedia
1. In the baroque period, it was common for performers to improvise ornamentation on a given melodic line. A singer performing a da capo aria, for instance, would sing the melody relatively unornamented the first time, but decorate it with additional flourishes the second time.
2. Performance practice refers to details of performance technique which were used in performances within historical styles periods, as well as they can be ascertained.
3. According to Margaret Bent (1998), Early music notation, "is under-prescriptive by our standards; when translated into modern form it acquires a prescriptive weight that overspecifies and distorts its original openness."
Homo ludens musicus
4. Baroque composers basically wrote down a skeleton of the music, and trusted the craftsmanship of the performers for all the rest
5. Baroque music really cries for being filled out, ornamented, changed according to the mood of the performer and to the atmosphere that builds up in the concert room.
Ron Anderson, Ph.D. SFA Professor of Music, Chair
6. a. Terms suggest as much about expression as pace (thus allegro means "cheerful" not fast)
b. Should in general maintain consistent tempo throughout section with major changes coming at major sectional divisions.
c. Is appropriate to ritard at major structural cadences though not at every cadence.
d. The term "adagio" at the end of a piece of music may suggest that the music become gradually slower rather than suddenly slower.
e. Baroque music should always dance and one should strive for this feeling at whatever tempo is used.
Martha Beth Lewis, Ph.D.
7. Often only the first one is printed; the performer is expected to ornament repetitions of the motif (or fragment) in the same way even if they are not marked. This runs contrary to the modern idea of playing only what is on the printed page....The baroque tradition is therefore one of improvisation
8. Baroque music generally has no tempo indications. For those pieces that do, bear in mind two things. (1) Tempi were somewhat slower in the baroque than for a modern performance. Thus a presto by Scarlatti is allegro or perhaps vivace today; at a presto tempo, this music played on the harpsichord would sound like someone rattling a can of nails; played on the modern piano it would be even less successful. (2) Baroque tempo indications, when present, tend to be more of a style or character indication, rather than a speed recommendation. Sometimes the time signature does indicat speed. For example something in cut time (a C with a slash through it, which my computer won't let me do) indicated that the half-note got the beat.
9. Editions are important. I prefer an Urtext. For an inexpensive edition, try Kalmus (edited by Hans Bischoff) and paint out all the f, p, cres., descres., tempo designations, staccato dots, accents, and other markings. If what is printed in your edition "seems" incorrect, trust your intuition and paint it out.
Hylton, J.B. (1995) Comprehensive Choral Music Education Englewood Cliffs, NJ: Prentice-Hall, Inc., 171-176
10. The tradition of requiring full participation by the performer in decisions concerning tempo, articulation, ornamentation, and other matters continued from the Renaissance into the Baroque era. Keyboard players presented with a figured bass line were expected to "realize" it, filling in chords, adding ornaments, and otherwise embellishing their playing. Singers, particularly soloists, were expected to improvise ornamentation and elaboration for a melody found in the score.
http://www.toshare.info/en/Tempos.htm
11. In some cases (quite often up to the end of the Baroque period), conventions governing musical composition were so strong that no tempo had to be indicated.
12. The association of tempo with genre means that genres can be used to imply tempos;
13. There is also a set of terms that are used to designate a change of tempo:
Accelerando - speeding up (abbreviation: accel.)
Meno Mosso - less movement or slower
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發表於 05-12-12 14:38
..我自問冇各位讀得書多…我只係盡量將我所知所識0既同各位媽咪分享下架咋….我從來都冇用一d好權威0既口吻教大家野架…手/筆下留情呀!!!
